Selling – discovering the right perspective – theirs!
Selling is a form of communication. It should, if it is to be successful, draw upon the art of persuasion – rhetoric. But, from my observations of the way in which companies pitch for business, it would seem that there is often a preoccupation with themselves and their products and services rather than with the client and his issues. This can of course seriously detract from the pitch.
This preoccupation frequently starts early in the sales cycle. There will be the internal pressures to push certain products and services – “strategic offers” is sometimes what they are called. Effort will be expended on establishing what the win themes are and how to differentiate from competitors – often based upon out of date views or a misunderstanding of competitors, laced with some self-denial.
By the way, this usually takes place before there has been any detailed analysis of the potential client’s circumstances, issues and concerns. The result is that these themes are often inward focused and can, without continual and objective refreshment during the sales cycle, become completely detached from the prospective client’s real needs. As my friend Joe Binnion put it – we need to think about “buying themes” rather than just “win themes”.
And, does it not make you wince when you see the last section of the proposal or presentation entitled “Why [insert name of bidding company]?”? It is usually followed by crass regurgitation of those old win themes (sic) or a set of supposed differentiators which sound just like everybody else’s. What is transmitted to the potential buyer is lack of empathy, indifference and arrogance. I have never been convinced that these things will help people buy.
Use of credentials
I wanted to touch on just one symptom of this internal focus – the misplaced and over-use of credentials in a pitch. I use a simple mnemonic “QAEC” to help put credentials into context and avoid what I often come across – a situation where their over-use detracts from rather than enhances the power of the presentation. This very simple structure is explained below. It does match perfectly with the “kipper” tool for the design of messages, courtesy of the Rhetorical Company.
A sales presentation is in effect a narrative – a story based upon a number of ideas or points which lead the listeners to an “Ah Hah!” moment when they form a mental impulse or conclusion and are persuaded to action. Let us take just one of those points (bones if you are trained in the “kipper”) in an imaginary narrative.
Identifying the question – Q
The main reason you would make a specific point in a pitch would be to answer a question that you believe the listener might have – the “Q”. For instance, you might have established that the listener is concerned about how quickly an action needs to be taken.
Responding with an answer – A
The answer (“A”) to this might be: “You can’t afford to wait” or “You are running out of time” or “You need to start now”. So this becomes the point you make.
Proving with evidence – E
Any assertion made needs to be proved by evidence (“E”) and it is this that pitching companies often fail to address – leaping instead to telling the audience about how they did a wonderful job for another client in a super-fast way. This is not only irritating to an audience because you are not talking about them, you are not satisfying the basic rules of conversation – that is that conversations are about responding to each other. This also applies in presentations – it’s just that only one side of the conversation is vocalised.
Let us continue the example and take as your point – “You can’t afford to wait”. This should trigger in the listener’s mind a silent question – “Why’s that then?” The next thing you say needs to be evidence – proof of the point you have made. It is clear that citing a credential here does not prove the point. In this case, good evidence might consist of (for example): citing actions taken by competitors; movement in reputation scorings; the time taken to achieve realisable benefits.
Making the credential relevant – C
If you take the idea of a one-sided conversation to the next step, you might imagine that having demonstrated and proved the urgency of action, the silent question in the listener’s mind might be something along the lines of “OK, but will it be possible in that timescale?”. It is at this point that use of a credential (“C”) may be both justified and helpful, since it now provides proof that “it really is possible”. The credential is though optional – the key components of any point (bone) you make are the point itself and the evidence which proves it.
Summary
Credentials do have their place in a sales pitch. But do try and avoid them becoming the main reason for your pitch. If you follow the simple QAEC sequence described for each point you make in your narrative, you will find that where you do use credentials they are an enrichment of the listener’s experience rather than a detraction.
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